The Companion is Finally Live!

The Masks of Nyarlathotep, if you didn’t know, is often hailed as the greatest Call of Cthulhu campaign of all time, and even gets logged as one of the all time great RPG campaigns of any genre. But one of its problems is that there is a lot of room left in the story — there are so many details undocumented, questions unanswered. It’s a great campaign but could really be so much greater.

More than five years ago, Bret Kramer came up with the idea of building a companion for the campaign, and the Kickstarter for that companion is finally live. Back in 2009 I wrote a number of pieces for the book, one of which was about how to run and organize the massive game. Apparently I had some good stuff to say, because it’s one of the first pieces in the book, and my name ended up on the cover.

There is a lot of vaporware in the tabletop RPG world — material that people write that never sees the light of day. The Companion was definitely heading toward that and I am so excited and proud that it is finally going to be published. I distinctly remember writing my Companion pieces on my deck in Oregon, with my work laptop in front of me and a beer next to me and trying very hard to stay focused on completing what I had agreed to. I was so desperate to complete something, to be a part of a project, and I had no idea it would take so long for it to see print.

More importantly, I really wanted to write something that other people would read and understand and be thankful for. My key contribution for the Companion is the keeper introduction, wherein I try to help keepers wrap their heads around the enormous task of running Masks. I really enjoyed writing the piece because I felt like I had something to say and the writing came easily and naturally. You mean people want to hear what I have to say about how to run a better game? I was glad to step up and write all I could on the matter.

And with the Kickstarter now up to 20k pounds (~$30k), it’s clear my contribution is part of the greater whole that people are excited to support. The project is finally a success, and though my part in the overall book (which is bigger than Masks itself) is relatively small, it’s huge for me.

For me, 2015 is a year of “out with the old” as I not only take care of some health issues that have been dogging me for a while, but also try to clear my backlog of personal and writing projects. That the Masks Companion is finally done and going to print is very cathartic to me as it validates some efforts that have been sitting around for at least five years, and allows me to move onto other pastures.

The timing couldn’t be better.

4 Keys to Preparing for Successful Con Games

This weekend is one of my favorites for the whole year — Dundracon, the longest running gaming convention in the San Francisco Bay Area, is here! I have been attending DDC since seventh grade and, aside from some gaps in the mid-90s, I’ve been to most of them since. I love DDC for many reasons — it’s got all sorts of games, is run very well, and all my friends go there — and every year I run (at least) one official RPG that both keeps my GMing skills hot and gets me in the door for free.

Last year I ran HWLL twice and it was too much. When you’re running your own RPG, especially when it’s tied to an in-progress Kickstarter, there is a lot of pressure to do it right. Running two games last year was too much of that pressure and I promised myself I would run only one official game this year. Well, I may be running only one official game, but I have been pressured into (okay – volunteered, I’m an attention slut and I just love running games too much) running two more games, so now am running three games — one Trail of Cthulhu, one 5th edition D&D, and my own Cthulhu Dark scenario Sun Spots.

The TOC and D&D games are really just for friends, are not “official” games where I have to wonder at what sort of gamers I will get, and will start when I get my friends together, not at a specific time. They’re also written by other people, which is something I don’t normally do but realized that was the only way to run additional games and not lose my mind. But still, it takes effort to run a good game, whether official or not, and I want to cover the things that I do to prepare for running RPGs at conventions.

The feedback I get tells me I run a pretty good game, but not only am I always looking to improve my game, I also hold myself to pretty high standards. I also know some pretty awesome GMs who do many of the same things I do to prep for their games and I like to steal good ideas whenever I can. Here are some things I’ve found are key to running a great RPG at a convention:

  • Own It – First and foremost: be a goddam professional. You need to treat this like your job, and show up firing on all cylinders. To start, whatever it takes, show up 10-15 minutes early, all your materials in hand and ready to go. There is nothing that builds early player skepticism than having all the players sitting at the table 10 minutes early but the GM is 10 minutes late (this happened to me last year). Especially if you are fortunate enough to have people show up early because your game is overbooked, you want to show that this is your game. Then, start on time, unless you need to wait for pre-registered players. Even then, only wait ten minutes maximum. If a player can’t make it to your game by then, too bad. And again, if you’re lucky enough to have a full game and people are waiting to get in (what a compliment!), communicate directly with them on what they can and cannot expect. For me, I take players first-come, first-served, and will take the names of people like waiting for a table in a restaurant. Other GMs randomize. Regardless, communicate what your plan is, how many possible spots you have, and set expectations out the game. Own the game from the go and your players will quickly realize who is in charge.
  • Provide Everything They Need – I know it seems odd, but some GMs barely provide enough to get the game going. You, as a player, must provide dice, pencils, scrap paper, etc. Some GMs may even expect you to bring paper to use for your character sheet. Screw those guys (it’s unprofessional). You bring PC sheets, probably already filled out as pregenerated characters, but hey why not also bring snacks, chocolate or even bourbon. I like my players to use special dice, so I bring those too. If I’m playing in a game I’ll bring the rulebook and other supplements to share. Basically, bring everything your players need to play your game — everyone will love you.
  • Be the Ball, Billy – What does your game look like when it’s a total success? Can you see it in your mind? Athletes have been using visualization for years to win medals, so why can’t you? Days before the con, picture in your mind how the story will go, where the fun/quiet/exciting parts are, and how the whole thing will end. See yourself and the whole group having a great time, see everyone creating great memories and collaborating on an amazing game, one that people talk about for years. Spend some time thinking about your game well in advance and give yourself room to improve and grow. Sure, it may not go perfectly, but the preparation will help you create the best possible experience.
  • Go Big or Go Home – Finally, if you’re running a game at a con, you have all the permission in the world to make your game as memorable as possible (as you’re not restricted by an ongoing campaign or your friends’ pre-existing expectations), so why not make it as great as possible? Just as you’re going to own it and be a professional, don’t be afraid to put all your eggs in one basket (as it were), killing, maiming and driving PCs mad, all with the goal of creating (with the help of your players) the best game everyone had all convention. Nothing bugs me more than a tame con game — people pay good money to come to a con, and it’s your job to make it worth their while. Bring all your best ideas, craziest stories and wild inspirations for your players. Whether this is just from creating cool props and PC sheets (see above) or by killing everyone off in one big explosion in the end, leave nothing out. Give people something to talk about, and they will tell their friends (awesome) and come back for more (even more awesome).

D&D Comes Full Circle

Sometime in the winter of 1980-81, I played Dungeons and Dragons for the first time. I was in fourth grade and Ronald Reagan had just been elected to president. My friend Greg has an older brother who had started playing this crazy fantasy game, and we sat down and tried to figure out what all the Roman numerals meant in the adventure scenario as we fought monsters and collected treasure. It was so easy back then to just jump in and game — you had your character, some basic stats, a couple pieces of equipment, and you just played. Yes, there were a couple charts, but overall it was just easy and fun and you could really play with just the game book, some pencils, paper, dice, and, of course, your friends.

I was hooked for life.

My parents bought me the red dragon boxed set (the one with chits instead of dice – lame), and over the next few years I began collecting RPGs: first the AD&D books and modules, then other games (including Star Frontiers and Marvel Super Heroes), and I even wrote my first RPG: TimeLords. For these first ten years or so (including heading off to college), I played D&D off and on. I ran a short campaign in college, played the Warhammer RPG briefly there as well, and even ran a 2ed AD&D game for kids when I worked as a summer camp counselor in the early 90s.

Eventually, though, I just stopped caring about D&D. I would play it every couple of years at a convention (usually with 1st ed stalwarts), but other RPGs and genres became far more interesting. Superheroes, science fiction and of course the Cthulhu mythos all became much more intriguing worlds to game in — at some point I even hacked together a time travel campaign for GURPS using multiple sourcebooks, which I would never try these days. (Using GURPS, that is; clearly I still have a thing for time travel games.)

The last game of D&D I played was around four years ago when our high school gaming group reunited to play 4th edition. My entire experience with that trainwreck of a game system can be summed up with me attempting to read the flavor text from the spell card and being told in no uncertain terms from my fellow gamers to “shut the fuck up and just tell us what you’re doing.” The complexities and time it takes to move through 4th ed combat inspired, it seems, impatience with the actual role-playing part of the game.

So it was with slight trepidation when, 2.5 years ago (has it really been that long?) my gaming group at the time playtested D&D 5th edition (which was called D&D Prime at the time, I believe). Sure, of course I’ll play, nothing to lose here. We played through B1, the original scenario, and I sat down at the table to be handed a dwarven cleric and a beer.

I was immediately overwhelmed by how simple the game had become. It was like I had been transported 30 years into the past and suddenly I could just play. It’s like the game had circled back around and found me at 9 years old, except that now I have much higher standards to what constitutes a good and fun role-playing game. And yet, this game was good. This game was fun.

Flash forward to just a couple weeks ago and my 9 year old daughter was harassing me to play D&D. Last summer, when she had seen this video on girls playing D&D with boys, she shouted “I want to play D&D!” Since then, every couple of months she had asked to play, and I had continually put her off. Finally, realizing that a) WotC has posted the D&D rules online for free, and b) what the hell was I waiting for?, I got us playing D&D for the first time just two weeks ago.

The results could not be more amazing. Fifth edition is so easy to learn and run that I really have to give it up for WotC, who has done an amazing job at fully rebooting the game. Firstly, giving away a streamlined version of the rules online for free shows they understand how to market games and interact with their customers in the 21st century. Basically, anyone who wants to play D&D just needs the requisite pencil, paper, dice and friends (plus the free rules) to get started. This is a gateway game, folks, and they’re treating it that way.

Second, the rules have *finally* been streamlined to remove so much of the chart-referring, page number memorizing days of old that you sense a full understanding of how RPGs have changed in the last decade. All high rolls are good, all low rolls are bad (not the case with 1st-4th eds); a monster’s armor class is the number you need to roll higher than to hit them (goodbye THAC0!) — these are a couple examples of how much easier the game is to play.

And finally, and perhaps most importantly, the game has really made it easy for the old-school gamers (like myself), to feel right at home with a game world that can be fleshed out as you play. For starters, during character generation, the game helps build out PC backgrounds that not only provide context and history in categories such as Ideals and Flaws, but also tacks on game-world applications to these: character bonuses, special equipment and world-building opportunities (which guild do you belong to?) all help create verisimilitude out of the gate. But the game is also incredibly fun once you get into it. The ease of gameplay lets both players and DM focus on doing cool stuff and not having to refer back to the gamebook all the time.

This is incredibly important for first timers like my 9 year old, (and eventually her friends) who has never played RPGs before. If we tried to play 4th edition or some other new RPG that is more complex or awkward than it needs to be (Star Wars: Edge of the Empire, I’m looking at you), her first interaction with RPGs would just result in confusion and frustration. But with such an easy method for creating fleshed-out characters, with a fun and easy to understand game system, and with some excitement and passion for having a good time, my daughter was hooked.

Just like I was 33 years ago.

It seems far easier for a company with intellectual property, especially something as iconic and old as D&D, to lose sight of what originally made that IP special (*cough* George Lucas *cough*). Greed, ego and laziness can all get in the way of doing the hard work it takes to continually keep the IP fresh and evolving. This is what happened with 4th edition — changing the game system to hook in the “video game kids” is a good concept on paper (and I’m sure was a great pitch to the executives), but it lost sight of what the game really was about. Instead of making the game an easy way for kids to enter a world of fantasy role-playing, they made it about leveling-up your powers and reading really small text from cards.

With this new edition, though, they finally got it right. You should check it out.

Thanks to my Kickstarter Backers!

As part of my Kickstarter project for He Who Laughs Last, I promised to put a list online of all my backers, which you can now find here.

Nearly a year later, I still look back in amazement at my 385 backers who took a leap of faith in me and my project. Yes, I knew a few of them personally, but most I didn’t know and had not even encountered in the greater online community. Furthermore, I had folks like Shane Ivey and Kevin Kulp, as well as the amazing Oscar Rios, share my project with their own backers, which was a huge boon to our project. All of this help came during the project from people I’ve never met in person.

But that’s what the RPG community is about — we’re all geeks of varying degrees, and our support for everyone here cannot be overstated.

I think that, ultimately, the community is why my project (and others like it) was so successful. I’ve received amazing amounts of support and feedback (both good and bad) for this project, both on Kickstarter and when I’ve run the game at conventions. It makes such a difference to know that people enjoy the game and book, and that they look forward to more work from me and my team.

My next Kickstarter project is already being planned and I hope it is even crazier than the last. I look forward to working with my team again, and interacting with my backers. Thanks to you all.

Delta Green Conversion Notes for He Who Laughs Last

MASSIVE SPOILERS FOR HE WHO LAUGHS LAST FOLLOW

REALLY, YOU SHOULDN’T

 

 

The following are notes on converting HWLL to the Delta Green RPG setting…

As a contemporary horror story, He Who Laughs Last can easily be integrated into Delta Green, Pagan Publishing’s modern day RPG setting of conspiracy and terror. The scenario needs very little to be inserted into any DG game, but there are two key components that require discussion: the scenario introduction and the use of a green box to distribute clues.

For the scenario introduction, there are a few different ways to bring a group of Delta Green investigators into the story:

  • The most straightforward option is to transform Becca’s father, Dale Kingsley, into a DG friendly who reaches out to the party for help, knowing they are capable in these sorts of investigations. Dale can be a doctor/surgeon who has helped DG in the past but now has nowhere else to turn. A simple phone call from Dale outlines the problem – his daughter has died mysteriously and he is desperate for their help. Or this call could come through “proper channels” to have the PCs reach out to Dale, again, as a DG friendly who is in trouble.
  • Perhaps Dale is a friend of one of the agents. Dale contacts his PC friend (they were college roommates or served together in the same branch of military), distraught and overcome with despair. This is just a slight change from the above suggestion – Dale still reaches out to the PCs, panicked and desperate for help.
  • Another option is to have one or more of the PCs be friends with Becca (through family or work) who are directly impacted by her “suicide.” Becca is in her mid-20s, and if any of the party is generally her age, they could have been friends with her either during or after college. Pulling the party together for this might seem like a challenge (to find a justification for all the agents to travel to LA for a funeral of someone they don’t know), but given the size and scale of the larger LA area, it shouldn’t be too hard to justify a handful of agents taking a vacation for a week to help their friend.
  • One last option would is to have Cell A (or whatever infrastructure your campaign uses) assign the DG agents directly to investigate the mystery.  Just Becca’s suicide alone could be enough to get the party involved, or the investigation could be bootstrapped by having a DG friendly point out some of the irregularities coming out of the coroner’s office.

With the introduction covered, there are still a couple of considerations to make this scenario work smoothly in the DG universe. First is that the PCs probably won’t be from the LA area and so won’t have the Hollywood connections that make it a bit easier to navigate the story (as mentioned in The Industry, pg. 12). They can, of course, play up their law enforcement credentials, or just play it straight as they try to uncover the mystery. The PCs will just have to be a bit more thoughtful and creative as they work to make connections with the various NPCs.

Finally, one easy way to get the PCs the information from David Lee (Package from the Coroner, pg. 29) is to provide it in a green box. While there is no specific need to deviate from the narrative, if the PCs ask about a green box or the party doesn’t end up meeting with Lee, send the PCs a key from a small green box located in a Burbank industrial park. You are free to put any additional information there for the PCs, but otherwise you can just substitute the green box for the the package from Lee as the mechanism to deliver the clues. Instead of receiving the package at the front desk, inside the green box they find a number of boxes, smelly and old from the 60s, 70s, and 80s, stacked in the corner, ready to divulge their secrets.

Those are all the elements that should be necessary to convert HWLL to a Delta Green scenario. Please let me know if you have any further questions on this, and I would love to hear if you successfully convert it to DG.

You can buy the scenario at DTRPG.com here.

New HWLL Review

As I prep the hard- and soft-cover books for shipment, I ran across a review of He Who Laughs Last that I’d like to share.

The review is here. My favorite part is, of course, the sentence: “Well presented, well laid out, well written, I put this one in the heavy yes column.”

I will have more posts and thoughts coming up shortly, as I begin the final stage of my Kickstarter project. In the meantime, enjoy your summer gaming!

It Lives!!!

The PDF for He Who Laughs Last is now available on DriveThruRPG.com, for the amazing low price of $8!

You can purchase it here. Over the next few months, the same product page will be updated with the ability to purchase not only soft AND hardcovers, but a whole host of digital clues and supplements for the scenario.

I’ll also be updating the project page here with the list of Kickstarter backers. It’s been an amazing journey and I would not trade the experience for the world. Many thanks to all involved.

Good Times!

Holy smokes! Our Kickstarter project funded at 300% with $9031! Amazing!

As I mentioned in a previous post, I had no idea what to expect with my project and the overall support far exceeded even my wildest dreams. So very cool.

I have a lot of work to do and will be updating this blog soon with lots of good stuff. For now, I am going to celebrate with Gregory and then back to work!

Talking Kickstarters with Oscar Rios of Golden Goblin Press

Just before both our Kickstarter projects went live (and were quickly funded, I must say), I got a chance to chat with Oscar Rios, President of Golden Goblin Press about Kickstarters, RPGs and how much coffee you’ll need when you’re running a project.

Posting this now, after Oscar’s project has been incredibly successful, almost seems quaint. But the information he imparts is critical for anyone looking to run a RPG Kickstarter. I took his advice to heart and look where I ended up.

This is the first of what should be many audio interviews here on Weird 8. I think we’re off to a good start. Enjoy!